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Cultural Relationships and the Creation of Spaces in Parenthesis and The Crossing
An analysis of the effects of postmodernism and the discursive construction of spaces in "A History of the World in 10 1/2 Chapters" by Julian Barnes and "Field Study" by Rachel Seiffert.
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language |  | english |
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contextual quality |  | N/A |
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Preview of the essay: Cultural Relationships and the Creation of Spaces in Parenthesis and The Crossing
Cultural Relationships and the Creation of Spaces in Parenthesis and The Crossing Identity, the projection of the self and interpersonal relationships are major issues in Postmodernism. Identity is built in a certain context through a process of selection of ideologies. The resulting values and beliefs appropriated in this process are ...
... and branching, and resulting in a hypercultural phenomenon. Perhaps this is suggested in the last scene from The Crossing, where the woman and her children are left in the northern shore with a sense of having been mistaken about the strange man, and ready to tell about this experience to the people in their own culture, thus re starting the ideology negotiation process.
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